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Murder on Air/ The Theatre Royal Brighton

Murder on Air is an attempt to recreate the atmosphere of  Agatha Christie radio plays on air. It does not really work. Once you get over the interest of the effects being created by someone in the corner you are left with actors walking up to their microphones and delivering the lines. This [...]

September 7, 2014 // 0 Comments

A talent to amuse

At home, kept usually somewhere close to my work desk, I possess a battered old Samsonite briefcase. In it I keep what might be termed my ‘vital belongings’, e.g. my passport, driving licence, cheque book and anything else, e.g. a stash of euros, a sentimentally-important old watch, innumerable [...]

August 29, 2014 // 0 Comments

Like the curate’s egg

Yesterday I went to the Chichester Festival Theatre see the matinee performance of the Jamie Glover-directed productions of August Strindberg’s Miss Julie – a new version by Rebecca Lenkiewicz – and Peter Shaffer’s Black Comedy, two one-act plays first paired together in 1965 by [...]

August 3, 2014 // 0 Comments

I’d rather play Philadelphia

About fifteen years ago, I used to play golf regularly with a chap that I knew was interested in the arts – he and his wife were frequent visits to art galleries, the opera and (I thought) the theatre. One day I mentioned that I was shortly to make a rare excursion into the West End to see a [...]

June 20, 2014 // 0 Comments

Depending upon your point of view …

In an interview featured the website of The Independent today (Tuesday 20th May) actress Gemma Arterton has expressed her reservations about the growing practice of broadcasting ‘live’ televised relays of theatrical performances, see here – GEMMA ARTERTON INTERVIEW I can understand [...]

May 20, 2014 // 0 Comments


  There are several successful plays which are redefining the conventional frontiers of accepted theatre. The Drowning Man and Venice Preserved do not take place in a conventional theatre but in different public locations, e.g. in the case of the latter the Cutty Sark.  In a different way, [...]

May 16, 2014 // 0 Comments

Tis Pity She’s a Whore.

Given this play was first performed in 1626 and written before then, it has as its theme one with which a modern playwright might feel uncomfortable – namely, an incestuous and passionate love between brother and sister. Antonella has returned to Parma with her tutor friar and her father [...]

May 10, 2014 // 0 Comments

The perils of authenticity

For some reason which escapes me, yesterday I spent some time contemplating Chariots Of Fire, the 1981 British Oscar-notching [seven nominations and four wins including Best Film and Best Screenplay] movie and specifically what disappointed me about it. Three decades’ worth of distance may allow [...]

May 7, 2014 // 0 Comments

All’s well that ends well – even if it was short

It all started at a raucous dinner party for eight in Camden town last December. In the middle of an animated and hilarious conversation comparing our youthful theatre and stage performances, exhilarating and embarrassing, I found myself accepting a dare from a West End producer. I had better [...]

March 17, 2014 // 0 Comments

Another one bites the dust

This week came the news that Stephen Ward, Andrew Lloyd Webber’s latest musical offering at the Aldwych Theatre in the West End, is being taken off next month for the usual classic reason – lack of ticket sales. There’s little satisfaction to be had from the demise of a major creative [...]

February 26, 2014 // 0 Comments

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